An Ayurvedic brand wins 3 trade listings on first pitch.

Packaging design services · India
D2C and retail packaging designed to read on a crowded shelf, supplied with dieline-ready artwork your printer can run.
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What packaging design actually is
Packaging is two jobs: win a glance on a crowded shelf, and be a real structure, a dieline that folds, a CMYK file that prints, a panel carrying the MRP and FSSAI marks.
A front that reads in three seconds from a metre away, so it gets picked up, not passed.
Designed on the real structure, so the art lands on the right panels and the box actually folds.
CMYK and spot, bleed, and the MRP, net-quantity and FSSAI panels Indian retail requires.
What we design
From a folding carton to a flexible pouch, designed for the shelf and set up for the press.
Boxes designed on a real dieline that folds and stacks
a carton that prints and assembles cleanly
Stand-up pouches and wrappers set up for roll printing
flexible packs ready for the converter
Bottle and jar labels and shrink sleeves, die-shaped to the container
a label that fits the curve
Premium packs with finishes like foil, emboss and spot UV specified
a pack that feels expensive
Food packs with the FSSAI, nutrition and shelf-life panels handled
appetising and compliant
Mailer boxes and inserts built for the unboxing and the courier
a pack that survives shipping
On the dieline, or just a mockup
Packaging that ignores the dieline looks great in a render and fails at the printer: art across the fold, no bleed, missing legal panel. The structure is the brief.
| Art-only mockupLooks good rendered | Production-readyOn the dieline | |
|---|---|---|
| Structure | A flat design that ignores the fold. | Designed on the real dieline, panel by panel. |
| RGB render that shifts and bleeds wrong. | CMYK, spot, bleed and finishes specified. | |
| Compliance | Legal marks bolted on or missing. | MRP, net quantity and FSSAI panels in place. |
| At the converter | Sent back, redrawn, and delayed. | Files run; the pack folds as designed. |
A pack that looks perfect in a render and cannot be printed or folded is not done. We design on the dieline, so the file your converter gets makes the pack you approved.
How we design packaging
Packaging is made by a converter, sold off a shelf and policed by regulation. We design for all three.
We design the front to pass that glance: one clear name, one hero cue, legible at distance, not a render that only works at full screen.
We start from the real die, so every element sits on the right face and the box folds the way the converter expects.
We build in the Legal Metrology and FSSAI requirements from the start, so the pack is compliant, not corrected after a rejection.
We design to the substrate and process, offset, flexo or digital, and specify finishes, so what the converter runs matches the intent.
What the engagement covers
Not a render and goodbye. Brief, concept, the dieline, the artwork, prepress and the handover.
We study the shelf, the competition and the product, and pin the structure and the must-have panels.
We design concepts on the brand and the category, and pressure-test the front against the shelf glance.
We build or confirm the dieline with the converter, so the art is designed on the real fold.
We lay the artwork on every panel and place the MRP, net-quantity and FSSAI marks correctly.
We set CMYK, spot, bleed and finishes, and check the file against the converter’s spec.
The print-ready artwork, the dieline and the editable source, all in your name, ready for any converter.
Packaging we design for
A snack, a serum and a supplement sell differently, but all win or lose in the three seconds a shopper looks.
Appetising and FSSAI-compliant.
Premium finishes and feel.
Clean, compliant, trusted packs.
Shelf and unboxing both.
Functional, durable packaging.
Packs that meet overseas norms.
Our stack
The kit behind packaging that stands out on a shelf and prints right.
Illustrator is the core of packaging design, building the dieline, artwork, and vector graphics a pack is printed from.
We design the packaging artwork on a precise dieline in Illustrator, so graphics align exactly to folds and cuts and the pack assembles perfectly off the press.
How the work runs
A packaging process that designs to the shelf and the dieline together, then sets it up for the press.
We study the category and product, pin the structure and panels, and design concepts that pass the shelf glance.
We confirm the dieline with the converter and lay the artwork on every panel, with the compliance marks in place.
We set CMYK, spot and finishes, check against the converter spec, and hand over the artwork and source in your name.
Reported against concept approved, dieline confirmed and print files, not just hours billed.

Our commitment
Packaging goes wrong when the art ignores the dieline, when the legal panel is missing, or when you cannot reprint without us. We work against all three.
You own the files
The print-ready artwork, the dieline and the editable source, with a clean handover, ready for any converter.
Print and law ready
Designed on the real dieline, set in CMYK and spot, with MRP, net quantity and FSSAI panels in place.
Built for the shelf
Designed to win the three-second glance at a metre, not just to look good in a full-screen render.
A senior designer, named
A senior packaging designer on your pack with one accountable lead, not a rotating junior bench.
The artwork is yours: dieline, source and all.
FAQ · 07 questions
The first audit is free and produces a written, scoped estimate. No retainer pitch on the call.
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Accepting new clients · 2026
Tell us about the product and where it sells. We will show you a packaging direction with print-ready dielines, before you commit to anything.
What happens next
Tell us about the product.